Category Archives: Image manipulation

How to get your Wacom Graphire 4 tablet working in Windows 10

I’ve been setting up a new PC at home and one of the things I struggled with was getting my Wacom Graphire 4 tablet working. This isn’t a CAD tablet (remember those?); instead, I use its pressure-sensitive stylus for image creation and editing. Press harder and you get more ink. Turn the pen over and you automatically erase instead of drawing. Press the eraser harder and you get more erasing.

I use PaintShop Pro for my image work, by the way, not Photoshop. You can still buy and optionally upgrade PaintShop Pro perpetual licenses, which is how it should be. You’re probably aware that I don’t rent stuff unless there’s no realistic alternative.

According to the Wacom FAQ, I was severely out of luck.

What is the latest driver for the Graphire 3 & 4 (CTE) tablets?
The Graphire 3 & 4 CTE tablets made from 2003-2007 are no longer supported by Wacom and will not work with a current tablet driver. Below are links to the latest drivers available for these tablets.

Windows 8, Windows 7, Vista & XP Download Here
Mac 10.8, 10.7 & 10.6 Download Here

Not one to give up so easily, I tried a variety of drivers for my tablet (model CTE-440). They were either blocked from installation by Windows 10×64, or in the best case scenario failed to provide any functionality other than acting as a basic mouse. The tablet failed to appear as a WinTab device, so I couldn’t configure PaintShop Pro to use its pressure-sensitivity, defeating the object of having the thing in the first place.

So I did what I thought was best and put the tablet out on the verge with the other junk awaiting council collection and investigated a replacement. Not from Wacom, obviously! I don’t want to reward a company for abandoning its products. I was checking out Huion tablets, which are so much cheaper than Wacom’s that it’s probably worth taking a punt and buying one anyway.

But then the stubborn streak in me (have you noticed?) kicked back in and I had one last go. A bit more in-depth Googling led me to this page. This is an old, non-maintained, leftover page from Wacom Europe. Let’s hope it stays there. On that page I found the driver I needed: DRIVER 5.30-3 RC FOR WINDOWS 8, WINDOWS 7, VISTA, AND XP. The direct link to the driver installation executable (cons530-3_int.exe) is:

http://downloadeu.wacom.com/pub/WINDOWS/cons530-3_int.exe

I retrieved my tablet from the junk pile, installed that driver, cleaned off my tablet while my system rebooted, plugged it in and away I went! In PaintShop Pro 2018, the setting is found at File > Preferences > General Program Preferences in the Miscellaneous section.

Wacom’s FAQ gave me a bum steer. Yes, the driver I used isn’t supported in Windows 10 and it isn’t current, but I don’t care. It works just fine and means my perfectly good as-new tablet isn’t landfill. Wacom needs to do better both in terms of supporting its hardware with current drivers and providing more useful information to its customers.

I was wrong about AutoCAD 2013 Help, it still sucks

In my effusive welcome of AutoCAD 2013’s updated Help system, I wondered if I had been shocked into missing some glaring problem. Unfortunately, that’s exactly what happened. In my enthusiasm, I managed to totally miss the fact that the new system has not been introduced for offline users.

If you use the new system, there’s a link on the front page to the offline files. I got as far as downloading and installing what I thought was the offline version of the new system and discovered that it didn’t want to install because the old one was already installed. What I should have then done, and didn’t, was to uninstall the old and install the new, before running it in offline mode. I intended to get around to that to check the performance and responsiveness of the respective versions, but didn’t have the time right then. If I had done so, I would have noticed that my download, uninstall and reinstall would have been in vain, because the offline version pointed to by the new system is still the old version. My apologies to anybody who wasted their time because of what I originally wrote.

There are many legitimate reasons why Autodesk customers want or need to use their software, including the documentation, entirely in offline mode. For example, the users I manage can’t access the online Help system from AutoCAD because Autodesk writes its software in such a way as to fail in a secure proxy server environment (yes, this has been reported as a bug, repeatedly). So for my users and many others, it’s true to say that despite the best efforts of Dieter and his team, AutoCAD 2013’s Help still sucks.

Look at this from the point of view of such offline AutoCAD 2013 Help users. We pay large amounts of money for software and Subscription. No “entitled” 99-cent users here.  We’ve provided extensive feedback on the woeful system that was inflicted on us at release time. We’ve hung out for half a release cycle with no adequate stopgap, even though one could easily have been provided. A small team has finally wrought an outstanding improvement and deserves congratulations for doing so. The improved system is dangled in front of our faces, and then we discover that we’re not allowed to have it. Not for any plausible technical or resourcing reason, but because Autodesk simply doesn’t want us to have it. How are we supposed to feel about that?

That’s right. Autodesk has managed to snatch a crushing defeat from the jaws of what should have been a stunning victory. I guess I should have expected something like this; for Autodesk, the half-baked job is de rigeur. But this goes beyond the usual problem of countless features that would have been great if they had been finished. This isn’t a matter of a product team struggling to develop features adequately within an impossible timeframe imposed by the yearly release cycle. This is a matter of policy. Some Pointy Haired Boss at Autodesk has decided to deliberately disenfranchise a significant group of its paying customers, by refusing to make available something that already exists and could easily be provided. This adds insult to the injury of having to wait 6 months for a CHM stopgap that was clearly the right thing to do, but which never came.

Why? What on earth would lead anyone to even contemplate the possibility that this might be a good idea? Lack of resources? While I’m quite aware that individual parts of Autodesk have their own budgets and limited resources, I don’t buy that as an excuse for the organisation as a whole. A multi-billion-dollar corporation that pays its executives millions? One that just threw away $60M on a dud social media buyout? Crying poor over something that would have cost maybe a few thousand? Sure, sounds legit.

No, a lack of resources is not the reason. It’s a policy issue. “There’s no reason for it, it’s just policy.”  But why would such an anti-customer policy exist? Vision. Autodesk is currently led by a Cloudy Vision. It’s important to Autodesk that everything Cloudy looks good. It’s clearly not enough to actually make online stuff work well. For one thing, that’s obviously pretty difficult, judging from Autodesk’s offerings to date. No, anything that’s offline has to be made to work badly, so the comparison looks as favourable as it possibly can. That’s much easier to arrange.

That’s why there was no CHM solution on the release date, despite Autodesk having a set of unpaid volunteers ready to put the thing together. That’s why there was no CHM solution provided a week later, or a month later, or six months later. Don’t think that it wasn’t provided because of a lack of resources; that excuse is entirely specious. It wasn’t provided because it would have made the online version look bad in comparison. The online version already looked abysmal, but an offline CHM solution would have just made the comparison so ridiculously one-sided that nobody would have been in any doubt about what a terrible idea on-line Help was. The Cloudy Vision would have looked suspect at best, and we can’t have that, can we?

What Autodesk wants is for people to think “Cloud good, non-Cloud bad”. If the Cloud can’t be made good, then making non-Cloud bad will have to act as substitute. Loading the dice in this way might stand a chance of working if customers were as clueless as some Autodesk decision-makers, but most of us aren’t total idiots. We notice these things.

This is a line-in-the-sand issue. This is about Autodesk pushing its vision at the expense of customers. No news there then, but from my point of view, this is one step too far. This is the tipping point where the not-convinced-about-the-Cloud phase could well turn into a full-scale take-your-Cloud-and-shove-it customer revolt. Me? I’m quite prepared to hand out the pitchforks and torches.

Carl of Arc

Source images: Hermann Anton (public domain) / Carl Bass (creative commons)

Carl Bass, you need to pull your troops into line. Let them know that while your Vision is important, implementing it must never come at the expense of common sense. It must definitely, never, ever come at the expense of your customers’ needs.  Blindly following a Cloudy Vision didn’t end well for Joan of Arc, and it’s unlikely to end well for Autodesk either. Please remember the source of Autodesk’s income. Without customers, you are nothing. You are treating your customers badly, and worse, treating us as idiots. Please, give it up before we give you up.

Magic vanishing images

In a thread in the Feedback & Questions about the Discussion Groups section of the Autodesk discussion groups, somebody called ACADuser contributed what I thought was a highly amusing bar graph as a test image. Inspired by this, I contributed a couple of test images of my own.

A few hours later, the whole thread magically disappeared! It seems a shame that I went to the effort of making those images, and all for nothing. The handful of people who would have seen them on the discussion groups have now missed out on the experience. So I’ve decided to make up for that by posting them here, where thousands of people can look at them instead.

Here’s the first one (not that amusing):

Discussion group upgrade poll results

Here’s the second one. Given the circumstances, it seems somewhat prescient:

Clue train pie graph

If ACADuser wants to get in touch, I’ll be quite happy to post his image too.

Shorn Shaan – you saw it here first

I was amused to see Shaan Hurley losing his locks at AU. Some of you may recall me suggesting this course of action a couple of years ago. How close do you think I got with my artist’s impression?

Shaan Shorn

Shaan Shorn Real

Original images © 2008 and 2009 Shaan Hurley.

Ralph Lauren – genuinely dumb or trying to be clever?

One of the blogs I read regularly is Photoshop Disasters, which recently posted a picture of a Ralph Lauren ad. In common with many fashion photos, this showed a skinny model that appeared to have been further skinnified on somebody’s computer to the point that the poor waif was ridiculously deformed. Like this:

LOL - Laugh On Lauren

Nothing out of the ordinary there, then. Under normal circumstances it would have received a few dozen comments and scrolled off the front page in a week or so, because there is no shortage of bad image manipulation out there for the blog to snigger at. The image was reposted at Boing Boing, but it would still have been forgotten in a week.

Except this time, Ralph Lauren prodded its lawyers into action and demanded the image be removed from both sites, issuing a DMCA notice. The DMCA request was spurious, as this is a clear case of fair use of an image for the purposes of criticism. Photoshop Disasters is hosted by Blogspot, which automatically complies with such requests. Boing Boing is not, and instead went on the offensive. They refused to take down the picture, instead reposting it with biting sarcasm. Read it, it’s funny. Ralph Lauren, if you’re reading this, please send me a DMCA notice too. I’m feeling left out.

This led to a flurry of comments, reposts and reports all over the Internet, including here. The comments (running at over a hundred an hour right now) are almost universally mocking of Ralph Lauren, its legal team, its models and its image manipulation propensities. The criticism goes way beyond the few snipes at a mangled-body image that would have been the case if Ralph Lauren had done nothing. It has moved on to the fashion designer’s ethical standards and those of the fashion industry as a whole for promoting artificially skinny bodies to eating-disorder-vulnerable people.

Now, is Ralph Lauren really that clueless and out of touch, to think that this kind of suppression would work? Or is this actually a deliberate marketing move, using the Streisand Effect to gain free publicity? Maybe, but it’s a deplorable attack on freedom of speech either way, and a boycott is fully justified. I’m not going to buy any of their stuff, ever, and I encourage you to do likewise. To be fair, I was unlikely to be a rich source of income. Even if I were a female with lots of excess money to throw away on clothes that look really awful, there is no way they would ever fit me. Or any living human, from the look of that photo.

Gaahl’s Tr00 Life Adventures Week 10, and Peter Beste

Time for my own bad Photoshop. Truly, truly awful work here. This is the tenth and last (so far) edition of Gaahl’s Tr00 Life Adventures. Click the thumbnail to see the full size image.

Gaahl Week 10

This one contains a few in-jokes (e.g. “many Norwegian countries”) from the Mike Portnoy forum community that was the original audience, so much of the original amusement will be lost. I am posting this one mainly to complete the set.

The original Gaahl photograph is by Houston documentary photographer Peter Beste, who has this to say on his site:

In the last two decades a bizarre and violent musical subculture called black metal has emerged in Norway. It’s roots stem from a heady blend of horror films, extreme heavy metal music, Satanism, pagan mythology, and adolescent angst. In the early-mid 1990’s, members of this extremist underground committed murder, burned down medieval wooden churches, and desecrated graveyards. What started as a juvenile frenzy came to symbolize the start of a war against Christianity, a return to the worship of the ancient Norse gods, and the complete rejection of mainstream society.

I have spent the last 7 years photographing in this insulated and secretive community.

I am pleased to report that Peter has no objection to his original photograph being (ab)used in this way. If you’re intrigued or amused by these black metal guys, check out his site for more images. There is even a book called True Norwegian Black Metal, available (of course) in a limited edition of 666 copies.

Peter has taken photographs of other subjects, including similarly confronting ones of Houston rap culture (some include nudity), with a book due to follow on that subject later this year.

Bad Photoshop 4

Pathetic perspective, courtesy of the work experience person doing Clark Rubber‘s brochure images:

Escher would be proud

The same background is used for another table set. The perspective doesn’t match in that one either, but it’s not as bad as this. Maybe it’s just CAD geeks who notice this sort of thing?

One more to come from this brochure, and it’s the worst one of the lot!

Bad Photoshop 3

More Fotoshop phun courtesy of Clark Rubber:

Legless

We’ll allow the oversized box and balls as an artistic device. But the woman has been cut out (badly) and pasted in with little regard to scale; that water is about 30″ deep. She either has very stumpy legs compared with her skinny top half, or the Autodesk shark is in there and it has given her an amputation at about the calf level. Why is her forearm oddly shaped, and shorter and thinner than that of the girl? And what’s going on down by the ladder?

Come to the dark side

Why is it darker one side of the rail than the other? Why is the edge of the water higher and darker on that side? Why does the ladder cast no shadow? Inquiring minds want to know.

Bad Photoshop 1 & 2

I’ve mentioned before that I love the Photoshop Disasters blog, and I’ve also mentioned that Clark Rubber has provided me with great service.

Here’s the first of a few posts that combine the two. I recently received a Clark Rubber brochure, and from the look of it (and the web site), Clark Rubber is not receiving the same kind of service from its Photoshop people that it provides to its own customers. I could fill this whole blog with disasters from that one brochure, but here are just a couple for a start.

Water cannon defies logic

Putting aside the awful water spray, the cut-and-paste problems, the strange lighting/shadow issues, the unrealistic water edge and the rest of it, how did that picture of the kid in the pool also manage to appear on the water cannon itself (sans pool and with the toy at a different angle)? Eddies in the space-time continuum, perhaps? He probably is.* My head assplode.

Blade Blaster defies geometry

This magic device not only fires oversized lemons, it also emits a strangely unrealistic jet of water of significantly smaller diameter than the inside diameter of the tube. I must have one!

* Joke stolen from Douglas Adams.

Photoshop disasters blog

I love this blog:

http://photoshopdisasters.blogspot.com/

OK, some of the “disasters” are a bit nitpicking, but there are some truly awful image manipulation efforts out there, some associated with very big companies. Look back over the archives, there are some real classics. Lesson to large companies: don’t penny-pinch, it’s not worth it.

I can’t remember any Autodesk marketing image disasters, although some of you may remember being bemused by the relevance of the the short-lived Subscription Cow. The BENTLEY BIN image is pretty funny, though. Does anybody have any other CAD-related examples?

Video – Deciphered lyrics

Here’s another video I have done to the music of Swedish metal band Opeth (the first one is here). This band’s latest album, Watershed, does not come with conventional lyrics in the booklet, but rather a page full of rune-type characters. There are actually two different pages in different editions of the album, and in order to work out the lyrics you need to rotate the pages, work out a substitution cipher and combine the two sources.

To save you the trouble of doing all that, here are the lyrics of Heir Apparent. This is the only song on the album that contains only angry Cookie Monster vocals (beware!), so without my expert deciphering efforts (ahem!) it would be rather difficult for the uninitiated to know what the song was all about. If you can put up with the vocals, I think you’ll enjoy this!

YouTube link.

Video – Misheard lyrics

This blog is supposed to a strange mix of AutoCAD, music, image manipulation and video, but so far it has been a bit light on in the latter three categories. This post will redress the balance a little.

This is a silly video I made based on the song Ghost of Perdition from the album Ghost Reveries by Swedish metal band Opeth. I’m sure the music won’t be to the liking of many of you, particularly as the vocals are partly in the “death grunt” style. If you’ve never heard a death grunt, just try to imagine Cookie Monster singing while he’s really, really angry about something. For the record, I prefer my vocals “clean” but this style is easy to mishear, leading to general amusement (hopefully).

Parental guidance: contains very mild nudity, very slightly offensive language and an oblique drug reference. You’ll have to be quick to spot them, though. I consider this safe to show to kids (as long as you think the vocals won’t give them nightmares), but some of you may not agree.

YouTube link.

Gaahl’s Tr00 Life Adventures Week 5

In this week’s adventure, Gaahl goes shopping. No, it’s not your eyes, the background image is fuzzy.

Gaahl Week 5

A couple of things may need explaining. According to his mother, Gaahl is vegetarian (not that there’s anything wrong with that). Also, Gorgoroth was his band. They have now split up and ownership of the name is in dispute. Maybe the other band members objected to what he brought back from the supermarket? After all, he eats absolutely no innards.

The original Gaahl photograph is by Peter Beste.